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Mercedes Sosa
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Corazón libre


Corazón libre

Mercedes Sosa celebrates her seventy years with a masterfully controlled album highlighting the purity of one of Latin America’s most recognisable voices. Her health problems have arguably delivered a death knell to the power behind her singing, but this courageous musician simply adopts her delivery to these timeless songs inspired by Argentina’s northeast folklore. The voice that moved her continent over four decades is now steeped in a subtle and wise experience that is gentle yet penetrating.

“Corazon libre” is a finely balanced mixture of classics revisited and new songs by contemporary lyricists and poets. Folk standards such as “Tonada del viejo amor” and “Zamba de Argamonte” are sparingly recited to the sounds of stroked guitars and complementary male vocals, performed by the renowned singer Eduardo Falù. The newer songs relate subjects that have always been close to Sosa’s heart such as liberation (the title track which is destined to be a new Mercedes classic), poverty (“Los ninos de nuestro olvido”) and tragedy (“Sufrida tierra”).

This is Sosa’s first album since her 2003 “Acustico” took the Latin Grammy for Best Folklore Album of the Year. Her fans have been holding their breath hoping the follow-up would honour the acoustic direction she took then. They will not be disappointed with this minimalist offering. The head tones are serenely controlled, and the sweetness of Sosa’s voice is now impregnated with wisdom and experience. The accompaniment of her faithful guitarists Alberto Rojo and Luis Salinas underline the continuity of icon’s work.

As the final notes draw the curtain down on this pearl of an album one closes the CD to ponder on the restrained drawing offered to the Argentinian by Joan Baez back in 1988. The links to another world will fill her many fans with a bemused melancholy. Mercedes Sosa’s voice hangs over an era and the knowledgeable twinkle her eyes now adorn is likely to linger on well after she has moved on to greener pastures.

Daniel Brown





  

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